How popular Soviet cartoons were created
Anyway, the best cartoons of Soviet childhood can be safely called the creativity of the Soyuzmultfilm studio. Over the years of its existence, it has released a huge number of cartoons for every taste, which we show to our children and do not get tired of reviewing ourselves. In addition, most cartoons contain a lot of secrets and details that are noticeable only to the most attentive. Let's get to know them.
The first film adaptation of the book about Winnie the Pooh belongs to the Walt Disney studio: in the early 60s, several series about the funny bear and his friends were released. Before starting work on the domestic "Winnie the Pooh", Fyodor Khitruk had not seen the Disney version.
It is curious that initially Winnie-the-Pooh was very hairy, his ears looked a little "chewed", and his eyes were of different sizes. At first, the piglet turned out to look like a thick, appetizing sausage for the artists. A lot of different bears and piglets were drawn before the characters acquired the familiar look.
By the way, in the second and third series, the characters 'drawings were simplified: the black "glasses" on Winnie-the-Pooh's muzzle acquired clear outlines, and Piglet's rosy cheeks began to be indicated by a single red line. While working on the cartoon about Winnie the Pooh, Fyodor Khitruk did not know about the existence of animated pictures about a funny bear from Disney studios. Later, according to Khitruk, Disney director Wolfgang Reiterman liked his version. At the same time, since the Soviet cartoons were created without taking into account the exclusive rights to the film adaptation owned by the Disney studio, it was impossible to show them abroad.
The Soviet cartoon "The Kid and Carlson" directed by Boris Stepantsev, based on the story of the Swedish writer Astrid Lindgren and released on TV screens in 1968, was enthusiastically received by both young and adult viewers.
There were two episodes about Carlson in total: "The Kid and Carlson" (1968) and "Carlson is Back" (1970). Soyuzmultfilm was going to make a third one, but this idea was never implemented. The archives of the studio still contain a film that was planned to be used for the filming of the cartoon for the third part of the trilogy about the Kid and Carlson — "Carlson is playing pranks again".
If you watch the cartoon about Carlson very carefully, you can notice the following detail: at the beginning of the cartoon, when the Baby crosses the road, an Air France advertisement is visible on a passing bus.
The Soviet animated series about the cat Leopold and the bully mice pestering him was filmed on Creative association "Screen" from 1975 to 1993. At the time of the creation of the animated series, there was no art workshop yet. Therefore, the first two series ("The Revenge of Leopold the Cat" and "Leopold and the Goldfish") were not drawn, but were made by shifting techniques.
Small details of the characters and scenery were cut out of paper and shifted under glass. After each frame, the details were shifted by a tiny distance, which created the illusion of movement. Further episodes of the cartoon were implemented using hand-drawn animation.
The creators of the cartoon have been puzzling over the name of the main character for a long time. The authors really did not want to call him too simply - "ordinary" Barsik or Murzik. According to their plans, the name should have sounded beautiful and at the same time easy to pronounce.
There is a version according to which the son of the screenwriter Arkady Hite called the good-natured and charming cat. While working on the plot of the cartoon, the boy tried to do two things at once: follow adults and watch "The Elusive Avengers"on TV. The name of the White Guard colonel Leopold Kudasov, one of the heroes of the "Elusive", and prompted the idea to call the cat the same way. Hooligan mice are also not nameless, as many people think. A well-fed gray rodent is called Motey, and a thin white animal is called Mitey. However, in the cartoon, mice are never called by their names.
The Soviet cartoon about Cheburashka was directed by Roman Kachanov based on the book by Eduard Uspensky, more precisely, according to their joint script. And although Ouspensky wrote 8 stories about the Crocodile Gena, Cheburashka and their friends, a total of 4 series were made.
The well — known cartoon image of Cheburashka — a cute creature with huge ears, big trusting eyes and soft brown fur-was invented by the cartoonist Leonid Shvartsman. This is how he first appeared in the cartoon of Roman Kachanov "Crocodile Gene" (1969) and won the hearts of children and adults.
According to the book, the author's parents claimed that Cheburashka is an unknown animal that lives in the hot tropical jungle. Therefore, in the text of the book, the heroes of which are, according to the writer, children's toys of Uspensky himself, Cheburashka really appears before readers as an unknown tropical animal.
Animated series " Three of the Prostokvashino " based on the novel by Eduard Uspensky "Uncle Fyodor, the Dog and the Cat" was directed by Vladimir Popov. In total, three series were released. Much of what is in the literary source was not included in the cartoon, but the popularity of the film adaptation several times exceeded the popularity of Ouspensky's story.
Work on the creation of screen images of the cartoon " Three of the Prostokvashino" was divided between the production artists at the request of director Vladimir Popov. The image of the Jackdaw did not work out for a very long time. Therefore, everyone who entered the artists ' room at Soyuzmultfilm was asked to draw this character. The artist Leonid Shvartsman, who invented the cartoon Cheburashka, even had a hand in its creation.
Uncle Fyodor is the only type according to which the team that worked on the creation of the cartoon " Three of Prostokvashino", has not come to a single decision. Therefore, his on-screen image varies greatly from series to series. Such an impermissible move from the point of view of Western animation in our country was perceived quite calmly.
"Well, wait!" is not just an animated series, it is a real legend, on which more than one generation has grown up. In 1969, "Well, wait!" was a state order. The officials decided to give our answer to Disney cartoons and allocated a fairly serious budget. The requirements of the customers were limited to a request to do something funny.
With this request, the management of Soyuzmultfilm turned to the famous comedians Alexander Kurlandsky, Arkady Hite, Felix Kamov and Eduard Uspensky.
A lot of controversy arose among the creators of the cartoon about the 12th series of the famous cartoon, when the Wolf is in the sarcophagus of Pharaoh Ramses. It was even assumed that the Egyptian government could protest in this regard. But everything went well.
In the animated series "Well, wait!" there is an amazing musical selection, which uses popular recordings of Western and Soviet pop music. But they were never specified in the output of the cartoon. Then it was not accepted.
As the composer Grigory Gladkov mentioned during his performance in the humorous program "Around Laughter", the cartoon "Last year's Snow was falling" had the original working title "Christmas trees, thick forest", and the main character in it was a janitor from "Plasticine Crow". Then the visual concept of the main character was finalized, however, as well as the name of the picture.
The role of the narrator in the cartoon "Last year's Snow Fell" was originally planned to be given to Lia Akhedzhakova. She even voiced the cartoon, but the director Alexander Tatarsky did not like it. As a result, both roles — both the peasant and the storyteller — were given to Stanislav Sadalsky.
The cartoon "Last year's snow fell" did not manage to avoid the close attention of censorship. "At the delivery of" Snow "I had a pre — infarction condition," recalled the director of the cartoon Alexander Tatarsky. Russian russians told me that I was disrespectful to a Russian person: you have only one hero — a Russian peasant, and that idiot!.."
Keywords: Cartoon | Cartoons | Soviet cinema | Creation | Ussr | Shooting | Eduard uspensky