The whole truth and lyricism of our history in the photographs of Marc Riboud

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Marc Riboud (1923-2016) was a French photographer and photojournalist with over 60 years of experience, one of the most famous photojournalists in the world. Riboud began experimenting with his father's Kodak camera in 1937, but then studied to be an engineer and worked in this specialty for the following years. Only 15 years later, he returned to photography and devoted himself entirely to this art, studying with such legendary photographers as Henri Cartier-Bresson and acquiring his unique and subsequently world-famous style.

The whole truth and lyricism of our history in the photographs of Marc Riboud

Riboud is known for his revealing reports on various political struggles, including photo series on the Cultural Revolution in China and the Vietnam War. Over the years, the photographer has skillfully captured aspects of everyday life during highly volatile times with his characteristic sensitivity and directness.

One of the most famous works, a young woman holding a daisy (a symbol of peace) in front of soldiers with bayonets, became a worldwide anti-war image. Moreover, this photograph is a symbol of the Flower Power movement.

Marc Riboud once wrote:

The whole truth and lyricism of our history in the photographs of Marc Riboud
Paris, 1953. A man paints the Eiffel Tower.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Morocco, 1979.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Istanbul, 1955. A poor boy, perhaps dreaming of distant travels, pokes his head through the opening in the Galata Bridge over the Golden Horn.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Türkiye, 1955. Construction of the Seyhan Dam in Adana Province.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Beijing, 1965. The windows overlook Liulichang Street, where antique shops were located. This is where people were expected to come and give away their family heirlooms without receiving anything in return during the Cultural Revolution.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Yugoslavia, 1953. A girl wears a bikini, much to the disapproval of her grandmother.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Cambodia, 1969. A young Khmer bathes in one of the moats filled with water on the territory of the Angkor temple complex.

The whole truth and lyricism of our history in the photographs of Marc Riboud
India, 1956. Elephants are washed in the Ganges River.

The whole truth and lyricism of our history in the photographs of Marc Riboud
India, 1956. After bathing in the Ganges, Hindus dry their dhotis, traditional men's clothing, in the sun.

The whole truth and lyricism of our history in the photographs of Marc Riboud
South Africa, 1998. This is not the surface of the moon, but the pristine landscape of KwaZulu-Natal province.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Near the Turkish border, Iran, 1955.

The whole truth and lyricism of our history in the photographs of Marc Riboud
India, 1956. The city of Darjeeling, which is located in the Eastern Himalayas, is often shrouded in fog and covered by drizzling rain, which is a favorable factor for the growth of the famous tea of the same name.

The whole truth and lyricism of our history in the photographs of Marc Riboud
City of Split, Yugoslavia, 1953.

The whole truth and lyricism of our history in the photographs of Marc Riboud
On the Galata Bridge, Istanbul, 1953.

The whole truth and lyricism of our history in the photographs of Marc Riboud
Yugoslavia, 1953. A man jumps into the water from the city walls of Dubrovnik.

     

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