5 Russian films of the ' 90s and the legacy that everyone should see

Today in rolling out the "dad" with Vladimir Vdovichenkov — Comedy about a guy who after many years is going to see dad on the way and recalls all controversial family history. This movie is not only about the education and paternal figure in Russia, but also about the traumatic experience of the 90s.

Talk about other movies that talk about the dashing times in our country with the help of different genres and ideas. As well as the time when a bygone era, you can already see with the new optics.

The 90s are over, but Balabanov this time not forgive. "Hide and seek" — whether (given the refinement of manners) in Kinomax, whether epitaph epoch, which, as experience shows, not soon get tired of the Russian filmmakers.

Panin Dyuzhev and starring two gangsters follow instructions silly boss Sergei Mikhailovich (Nikita Mikhalkov), intersect with questionable characters like Doctor or Eggplant and at one point I meet a friend, who said that Moscow no longer shoot, they say, times are changing and it is necessary for them to properly adapt. So reference a film about the 90s in the finals of the way close to a completely different story.

Criminal Saga is finished, the job Mikhailovich performed, and the audience goes straight to 2005. Two gouging, Simon and Sergey apparently listened to the advice of a friend and became deputies of the state Duma, made the old boss the janitor, and his son — the boy. Came a new, "light" Russia of the future.

Leather jacket and knuckles changed to jackets and printing, and the violence now only legalized. Perfect concise statement on not only the ' 90s, but 00's (and judging by what is happening, 10's and 20's).

The feature directorial debut of Boris Akopov unexpectedly became the winner of "Kinotavr" (omit the controversial statements of the author of "female" and "male" movie — now we are talking exclusively about the picture) and still remains one of the most interesting movies of the 90s.

Local authority pulls Anton Bykov, with the nickname Bull (Yuri Borisov) from the police station and offers a classic scenario: a favor for a favor. In General, to describe the plot in more detail, it makes no sense. The film Akopova — especially a bold, sketch time with vivid details like a VHS tape or decorations impoverished households and markets.

No speculation on the topic of time — probably an attempt to perform their own childhood (Akopov, obviously, growing up in such an environment and wants to look at it from a distance) and time, which formed most of us.

Another triumph of "Kinotavr" (prize for best debut), which reinterprets the 90s. this time two time points: the Leahy era, which coincided with the childhood of the main character Masha (Pauline of Gohman), and relaxing the present, where the grown girl (Anya chipovskaya) seems to have realized the dream and works as a singer.

The last timeline, however, is in the film only a few minutes and is the most masterful dramatic summing up, therefore, to a greater extent rezhissery Anastasia Palchikova focuses on young Mache — the one who lives near the crime boss of the cross (Maksim Sukhanov) and looking at all the horrors of the 90 eyes of a child.

The Director of "the Bull" Boris Akopov originally wanted to make the main character a boy, but in the end, the concept had to be altered. But "Mary" to some extent implements this venture and as "dad", but, of course, more subtly, reflects on the Association of childhood trauma and time, as well as the future of the Domino effect can be destroyed from the seemingly small, but important stories from his youth. While the film is not released, but take it a note to our readers-fans definitely worth it.

Aesthetically controversial film Belarusian Darya Zhuk, narrating Digene Vélo, which leaves Minsk in a provincial town, with the help of simple manipulation to get a visa to America.

To his plan she actually chooses the wrong time: people who can give her the necessary help, preparing for the wedding, so the girl will spend a few days with the locals. "Advanced" fancy capital in this film sharply conflicts with the hardened backwater: Ordering, not familiar with the orders of life, gradually becoming an easy victim and unwittingly forced Hicks to show its fangs.

The question, of course, not that Daria Zhuk does not like the inhabitants of the small towns on the contrary, their life at some moments it is shown with special warmth. It's more terrifying because of the time, in an age which makes any "otherness" enemy, obeschelovechivayut turns into a predator, huddled flock with the same hungry to human suffering monsters.

A poignant road movie about a father and son in the context of trauma 90s. Vic Garlic eerily wants to take his father with a disability in a special establishment to get a cozy apartment.

Along the way, however, you still have to score an awkward silence the same awkward conversations — albeit rather accusatory, hostile in nature, rather than conciliatory. Still of hatred is born love, and out of frustration — forgiveness.

Heroes hunt don't need the mental conversations they have enough to be close together, to look into each other's eyes, full of mutual hatred, and the most for a couple of days to feel close more than in the last few years.

But 90 is not released even now in the way of Garlic and Pin and then will appear the echoes of his father's dashing young bandits, embittered ex-partner. Their way to escape from the era, firmly clutching teeth in modern Russia. And it can only win together — loving the abuser, regretting the careless son.