Unusual shots of hooligan celebrities from fashion photography Juergen Teller
Agree, the world is a little tired of strict, beautiful photo portraits of stars. Taken by masters of their craft, they are beautiful, but rarely evoke emotions. German photographer Juergen Teller fights with all his might against the ordinary, photographing celebrities with humor and in the most unusual situations.
In the world of professional photography, Juergen Teller has a reputation as a rebel and a hooligan. Celebrities must have a special courage to be photographed by this master. Anything can turn out and it can be funny, strange, unusual, provocative, but never offensive or stupid.
Where else would you see Kate Moss lounging in a construction wheelbarrow or Eva Herzigova sleeping face down in a plate? Only Teller could bring such crazy ideas to life and persuade supermodels to take part in their implementation.
Teller's photographs are hated or admired, but no one remains indifferent. This master has brought fashion photography to a new level. He is one of the first whose commercial works began to be exhibited in museums, next to art ones. With his work, Juergen Teller proves that for a talented photo artist even advertising can be art.
The photographer's calling card has become a "careless" style. A tilted horizon, flares, the photographer's hands and feet in the frame, gross violations of classical composition - all this is in Teller's pictures. He does not use retouching and does not follow the client's lead - all clients know this, and they are ready to put up with it.
But few people realize that the aesthetics of Teller's "fleeting snapshot" is carefully thought out and verified down to the smallest detail. Each work is based not on chance, but on the author's idea precisely embodied in life.
Juergen Teller breaks the stereotypes of fashion photography, showing celebrities without embellishment and from unexpected angles. His style is controversial: for some it is art, for others it is a challenge to traditional canons. What do you think of this approach? Do you like honest and “imperfect” aesthetics, or do you prefer classic staged shooting? Share your opinion in the comments!