Looking at the photographs of Ridgers, it is difficult to understand where fashion ended and rebellion began at that time. So it was with punk — an outrageous left-wing kick to consumer society appeared with the filing of the fashion store "Sex" and the commercial ensemble "Sex Pistols"; so it was with the Goths and the desperately glamorous and androgynous New Romance.
But if you look at the faces of young people, you will most likely discard the subcultural context. They express all the confusion and uncertainty of the younger generation. This is both fear of the future and hatred of how the world works in the present. The inability to radically change the structure of the world and the lack of understanding of how it should be done give rise to its rejection in all forms.