"A clockwork orange" and 11 the most terrifying films about home invasion

Nice to see a movie about a not too sensible characters, as opposed to innocent attackers, sitting at home in a comfortable chair and knowing that within his apartment you are in no danger. But is this real security? Closed your door on all locks? Would you open to a stranger who will call himself by the representative of the housing office or the election agitator? If you really are in no danger when you cross the threshold of his fortress?

In Hollywood the subject of intrusion into his house often, and from watching similar films often becomes uncomfortable. Not so long ago in rolling out the horror film "the Strangers: Violent games", and it's a great excuse to remember the best of the paintings in which the characters had to face with evil and cruelty in your own home.

"In the case of the murder dial M" (1954) / Dial M for Murder

Filigree adept at Hitchcock story, the action almost the whole picture was placed not even in the house, and in the same room, artificially causing the audience the claustrophobia, and the amazing tension of the scene of the attack and struggle even today to make the heart beat stronger.

"A clockwork orange" (1971) / A Clockwork Orange

Cult scene of the attack on the mansion and rape the mistress of the house even today it is impossible to look without a shudder — the brutality with which young gangsters "Lord" covers the terror in even the most ferocious slasher.

"Last house on the left" (1972) / The Last House on the Left

Piquancy of the situation adds the fact that the villains stay in the house the couple, whose daughter was just raped and murdered them — Craven always knew how to maximally tighten the plot nodes. Special bloody movie (the film received an X rating rolling) just because the author was under the impression from the crimes of Charles Manson, flamewaverz in the house with great fury.

"Cape fear" (1991) / Cape Fear

"Funny games" (1997) / Funny Games

Movie hurt the viewer — evil has never been so commonplace and even attractive, he has always needed some explanation, but the banal, but at the same time unthinkable, "because we want to". Haneke broke the barriers that once seemed impenetrable wall, protecting us from the horrors.

"Panic room" (2002) / Panic Room

Largely due to the impressive acting work — jodie foster and Kristen Stewart vs Jared Leto and forest Whitaker — the picture looks at one breath, well, and about the fact that an impregnable fortress inside the house can be a death trap for its inhabitants, and should not be said, Fincher is a worthy successor to Hitchcock, in his films there is always a place of unexpected plot twists and surprising transformations of heroes and villains.

"The Strangers" (2008) / The Strangers

The creators of "Strangers" in the credits indicate the reality of these stories, but to take those words literally it is not necessary — it's just a frivolous warning to householders willing to open its doors to any visitor.

"You end!" (2011) / You're Next

"The purge" (2013) / The Purge

Before the lust to kill with impunity here are powerless locks and grates, the villains do not stop pleas for mercy and return fire — the cult of violence and passion of Americans to arms raised to the power, and the indulgence of legislators vices exposed. Oddly enough, the audience ultranasilie had to taste, and the film received two sequels.

"Who's there?" (2015) / Knock Knock

Hero Keanu Reeves accepts strangers at home, allows them to freshen up and warm up until to home taxi rides, but suddenly (suddenly?) acquaintance turns to sex, and that man is held hostage by two brazen vymogatelnits threatening to tell the police about rape, the girls arrange the real Orgy.

Eli Roth has never hesitated to experiment, ignoring the grumbling critics. So this time he made a film about the invasion for a generation of Facebook and instagram, where social networks become weapons as dangerous and effective as a gun or knife.

Silence (2016) / Hush

"Don't breathe" (2016) / Don't Breathe

His characters, three teenage break into the house of a blind war veteran living in a dilapidated house on the outskirts of the city. Would-be robbers all you need is to find where the old man is hiding his savings so quietly to escape, while the blind groping in search of his cane. But there it was — and the house is filled with secrets, and the grandfather may well still take care of myself, and most importantly — in the basement of the house the hidden secret, the disclosure of which the owner is not welcome, and hence, an intruder must be destroyed at any cost.